|

Letterpress Irish Blessing Greeting Card

This is my first project for the CutCardStock blog, and I am really excited to share how I used Curious Metallic 5×7 Aloe Folded Card Invitations. The cardstock took vegetable-based inks really well, and I created a greeting card for Saint Patrick’s Day, or any occasion when you want to send warm thoughts to a friend or family member.

For the graphic elements of the card, I used a set of 12-point Irish Harp border ornaments, a 36-point version of the same ornament and a magnesium die of a Celtic Knot:

The types I chose are Raleigh Cursive in 14- and 24-point for display and 18-point Caslon Italic for the body. To complement the ever-so-subtle green in the metallic stock, I printed the knot, body text and 36-point harp in green ink. The 12-point harps form a border in gold, and I set the display text in gold as well. Here is what the two forms look like:

Rather than make a traditional rectangular border from the harp ornaments, I used some quads and spacers to create more contemporary-looking corners for the card. The photo below shows how you can get that effect, and it works with any single-piece ornament types.

Replace ornaments with quads to achieve an interesting effect on the corners of your borders. Using em and en quads allows you maintain a strict proportionality, since they are equal to, or half of, a square piece of border type. (Notice how the diagonal part of the harp lines up as you move from the bottom to the top.)

Presswork for this greeting card was a slight challenge since I wanted to use an A7 size card (10″x7″ when flat), and my largest press is a circa 1863 11×7 Gordon Jobber. Normally, the entire piece of stock should fit on the platen surface, with space allowed for gauge pins, but to print this card, I rotated the stock by 90 degrees to keep the image area on the platen and dip-fed each sheet of paper.

Notice the unorthodox way in which the stock hangs over the edge of the platen. While this is not a technique you will read about in printing textbooks, it is one that I learned from my dad, who was a journeyman trade printer and typographer. It works for short runs on hand-fed platen press (take your time when dip-feeding), and looks like this:

And here is the finished card. I would be happy to hear your comments about it or to answer any questions you may have about the techniques I used.

Please leave a comment here, and stay connected with the whole CutCardStock Design Team on our Facebook page.


Discover more from CutCardStock Blog

Subscribe to get the latest posts sent to your email.

Similar Posts

Leave a little comment love below!

This site uses Akismet to reduce spam. Learn how your comment data is processed.